An introduction to writer Sarah Anne Johnson, author of the new novel The Lightkeeper’s Wife (Sourcebooks, 2014). Her previous books include The Very Telling, The Art of the Author Interview, and Conversations with American Women Writers. An experienced author interviewer, Johnson shared that, “By asking the writers anything I wanted to know, I filled my writer’s toolbox so that the next time I sat down to write, I could address things that I didn’t have a way to look at before.”
Archive for the ‘books’ Category
An introduction to Bruce Littlefield, author of Moving In: Tales of an Unlicensed Marriage, which chronicles the first year of home ownership with his partner of 20 years, Scott Stewart. Littlefield’s other books include Airstream Living, Garage Sale America, Merry Christmas America, The Bedtime Book for Dogs and the best-selling My Two Moms (written with civil rights advocate Zach Wahls), and Use What You’ve Got (written with ABC Shark Tank star Barbara Corcoran). Originally from South Carolina, Bruce has designed and owned two award-winning restaurants, and Edgewater Farm, his 1940’s Catskills farmhouse, which he renovated and decorated himself, has been featured in numerous publications. Bruce’s number one tip for a happy life is, “Laugh. A lot!”
An introduction to Richard James Bentley, author of the novel Greenbeard (Exterminating Angel Press, 2013). Before writing fiction, Bentley was a technical writer, so it isn’t a surprise that he collects mechanical adding machines and dictionaries. When asked how his experience writing technical manuals influenced the way he approaches storytelling, he answered:
The written word has always been part of my environment, and the narrative always part of my internal landscape, which is to say that my head has always been filled with stories. In the end, I suspect, everything is defined by narratives. When I worked as a technical author, trying to pick engineers’ brains for the information that I needed to do my job, one of the psychological tricks I used was to get the guys to reminisce about the history of the project. Then, instead of a grunted list of facts and a bundle of paperwork thrust at me, I would instead get a coherent account of how the project had come to be its current state. A narrative. A story.