An introduction to David Budbill, author of the book Park Songs: a Poem/Play (Exterminating Angel Press, 2012). Happy Life, his most recent book of poems, was published by Copper Canyon Press in 2011. Two other Budbill books have also been published by Copper Canyon Press, While We’ve Still Got Feet and Moment to Moment: Poems of a Mountain Recluse. His latest play, A Song for My Father, premiered at Lost Nation Theatre in Montpelier, Vermont, in the spring of 2010 and will be produced again in Salinas, California, at The Western Stage in 2013. Budbill’s prizes and honors include The Vermont Arts Council’s Walter Cerf Award for Lifetime Achievement in the Arts, a National Endowment for the Arts Play Writing Fellowship, a Guggenheim Fellowship in Poetry, and The Dorothy Canfield Fisher Award for Fiction. When asked about the role of humor in Park Songs, Budbill said, “All I know is, I can’t live my life without humor and neither can my characters.” Read the rest of this entry »
Archive for the ‘spoken word’ Category
Interview With Writer David Budbill
In books, plays, poetry, spoken word, writing on October 7, 2012 at 4:08 pmInterview With Writer & Performance Poet Arthur Flowers
In art, books, graphic novels, nonfiction, poetry, spoken word, writing on June 4, 2011 at 9:11 pmAn introduction to Arthur Flowers, author of the graphic nonfiction book I See The Promised Land (Tara Books, 2011). Flowers collaborated with Manu Chitrakar, a Patua scroll painter from Bengal, to illustrate the life of Martin Luther King, Jr. A novelist, essayist, and performance poet, other books by Arthur Flowers include Another Good Loving Blues, De Mojo Blues, Cleveland Lee’s Beale Street Band, and Mojo Rising: Confessions of a 21st Century Conjureman. Read the rest of this entry »
Interview With Writer Elliot Harmon
In poetry, slam, spoken word, writing on January 4, 2011 at 10:01 amAn introduction to poet Elliot Harmon, who initially made a name for himself through performance poetry. Harmon shared, “I think that performance still plays a role in what I write, and I love having the opportunity to perform in different contexts. There was a while there when I was traveling a lot and I was really active in the slam scene. Performing things over and over was a big part of how I revised and worked. That’s not the case anymore because I have a full-time job and not as much opportunity to do that stuff. It’s changed how I work.” Read the rest of this entry »